Three Graces, canvas paintings

Three Graces, Painterly Realistic

acrylic on canvas, 48"x 36", 6/2020

Three Graces, Crystallized

acrylic on canvas, 48"x 36", 6/2020

Yoga Sunbeams, Deer

 digital, 2020

My muse leads me.  This year has been mostly women.  I did The Three Graces with two 48"x36", acrylic on canvas.  I dont know how many digital images I made.  At least twenty.  My intent was to do the same image in many different styles. So , I created the same figures in styles ranging from painterly realistic to cubistic to I dont know what to call it.  Also, I have done some painted driftwood pieces.

 There have been several images of women dancing. In the clouds, in the forest and so on.  

Next, I thought, "Yoga, eureka!".  This px shows a yoga headstand, in the forest, with a deer.  The inspiration picture of the deer came from a trail cam that we set up down by the creek.  I follow my muse along a path that is beautiful.

They have changed the format of blogger, and I dont know how to get the writing in the place where I want it.  Tech can be so annoying.   I would rather be painting or gardening.  

  

Three Graces, Streaming

archival ink jet print, 6/2020

Yoga, Square, Centrifuge

archival ink jet print, 7/2020

Yoga with Pelicans

archival ink jet print, 7/2020

One thing leads to another.  "Yoga with Pelicans" has for a background a photograph of an acrylic on paper painting, that was worked up in Photoshop and then used with a digital image of yoga woman.

"Three Graces, Streaming", is a continuation of a suite that I have been working on for about six months.  Graceful women have shown  up in my created images for more than a couple of decades.  Since the 70's, at least.  I have a steady stream of creativity with one thing leading to another.  The images evolve, the women change their style, from relatively realistic to abstract.  From the pure love of the Christian Mary variations, to the strength of warrior woman.  The Greek Artemis and Roman Diana, are examples of warrior women that have occurred in the creative stream from as far back as the human race can remember. Why do I do this, I wonder.  I want to create an impression of ideal femininity for myself and for viewers.

Horse Sampler,#1, for Dave, realistic

digital, 1/2020

Horse Sampler,#2, abstracted

digital, 1/2020

Dave asked me to make a picture of a horse.  I puttered around a while before deciding to do it.  I set my creative intention to be realistic, because that is what Dave likes.  After making the realistic horse in Photoshop I wanted to abstract the picture.  So i made up some loose guidelines.  I thought of diamond shapes, I thought about Harlequin patterns.  This was a lot of fun.  

Today, I worked on another pair of pictures, but with female figures instead of horses.  The realistic figures are almost done and i started abstracting them today. I am exercising my style tools, and doing something rather new.  I follow my muse.  I keep the art interesting, changing my guidelines, a bit here and a bit there.  I never get bored photo-shopping and painting.

The next thing that I want to do with the horse, is to blow him up.  I am excited to see how that will look. 

If that is not enough, working on four px's at once, I am also doing another thing even more out of my usual zone.  I have made some painted drift wood sculptures that looks fantastic.  I need to buy a new camera to get quality of photos of the sculptures.  Been doing the research on that.

"Nike Popped"

Close up of "Nike Popped"

The Forest is My Cathedral

 

The Forest Cathedral

Digital image, 2017

 

 

I have a deep need for nature.  Walking in the forest gives me an elevated feeling.  Petty concerns melt away and I feel a reverence for the earth. 

 

A tree has a million leaves.  Each leaf has a beautiful design of branching veins.  If you look at the leaf microscopically there are a million perfect cells.  How can this happen?  The detail is staggering.  I find it difficult to explain this rationally and must resort to metaphysical wonderings.